Jennifer Bajorek writes and does research on diverse topics in literature and philosophy and in the history and theory of photography. Her publications include Counterfeit Capital (Stanford, 2009), an edition and translation of the literary and political theory of Jean Paulhan (Illinois, 2008), translations of philosophical texts by Sarah Kofman, Bernard Stiegler, and Jacques Derrida; and essays in Critical Inquiry, Diacritics, the Autograph ABP newspaper, and History of Photography. Most recently, she was co-editor of a special section of Theory, Culture & Society on Photography and the State, and lead curator of Contemporary Africa on Screen at the South London Gallery.
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